Saturday, June 20, 2009
Wednesday, June 10, 2009
How Hot Should Pizza Oven Be?
my latest painting processes, which briefly discusses the inferred psychedelia in "new" fields of design language regarding the programs used via pc and also from the internet, where borders dissolve the merely real, the shapes of the bodies brought to a contemplation of all space, blurring their bodies to the whole. All work is done in large format, based on oil, on rack.
Saturday, June 6, 2009
Tesco Bread Maker Blog
BELEN ROMERO GUSTAVO RIVERS AND SOLE SANCHES GUNSET
REPROGRAMMING 19HS OPENING OCTOBER
GUNSET BELEN ROMERO (Tucuman) and DANIEL GUSTAVO RIOS (bs as)
Some rolls of paper tape, pencils and sheets of lined school notebook. Minimal use of materials displayed on the empty space of the room. Cover to cover for papers or just spoken, subtly, with a thin line of paper tape.
Belen Rios and Gustavo Romero Gunset decide, this time involved the rooms as they have done before in public places in different cities. Enclose the landscape within the four walls in the form of drawings and abstractions. Climbing plants, beings who inhabit these worlds, heaven, maps, routes and planes. Bethlehem
irumpe in the room, climbing, reaching every corner. Gustavo instead just insinuated, pale on the white wall. She built with everyday items and basic living and mobile landscape in which we were engaged, he separates us, with a net cut of the city around us, and the plasma on the wall. Abstract and transformed into an aesthetic object. A topic's sister
: landscape, natural and urban. Human intervention on it and its transformation. Bethlehem
questions about these topics in an almost scientific "scenario: The skyline and me are never still, then the line is not straight, but wavy "he notes. Gustavo says so challenging the rational spirit of his companion "I'd like to read as real or imaginary journey through the cities and no more." Landscapes of Bethlehem
overflow in gesture and repetition. Gustavo mappings are beautifully precise and simple abstractions of cities, synthetic and net margins. Several
at the formal end, eerily complement. Daniela Varone
. June 2009.
Belen Rios and Gustavo Romero Gunset decide, this time involved the rooms as they have done before in public places in different cities. Enclose the landscape within the four walls in the form of drawings and abstractions. Climbing plants, beings who inhabit these worlds, heaven, maps, routes and planes. Bethlehem
irumpe in the room, climbing, reaching every corner. Gustavo instead just insinuated, pale on the white wall. She built with everyday items and basic living and mobile landscape in which we were engaged, he separates us, with a net cut of the city around us, and the plasma on the wall. Abstract and transformed into an aesthetic object. A topic's sister
: landscape, natural and urban. Human intervention on it and its transformation. Bethlehem
questions about these topics in an almost scientific "scenario: The skyline and me are never still, then the line is not straight, but wavy "he notes. Gustavo says so challenging the rational spirit of his companion "I'd like to read as real or imaginary journey through the cities and no more." Landscapes of Bethlehem
overflow in gesture and repetition. Gustavo mappings are beautifully precise and simple abstractions of cities, synthetic and net margins. Several
at the formal end, eerily complement. Daniela Varone
. June 2009.
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