Wednesday, December 31, 2008
Thursday, November 6, 2008
How To Clean A Resin Watch Strap?
200818hs 25 Nov Henrik Hedinger crasy in cordoba AccionCoordina Alejandra Veronica Meloni

















NOVEMBER November 4, 2008
ExitVision 8 hrs. / EXTRA.
JOSE MARIA MIRANDA (Lima PERU), ANDRES Torregiani (Cordoba ARGENTINA) AND FRED Weninger (Lima PERU)
15hs - 24 hours
November 18, 2008
VIDEOART
Minimum Travel
19hs
25 November 2008 Henrik Hedinger
18hrs crasy in cordoba
Action Coordinates Alejandra Veronica Meloni
VIDEOART, Laura Burba Luciano Colombo
Der Hairabedian Juan Fernández Ana Rosa Muñoz Jocelyn Gilardi Hannibal stop / Carolina Senmartin Isabela Prado Mauricio Mauricio Román Riquelme Anabel Guido Rodríguez Vázquez Yannitto
Selection: Emily Barbosa and Juan Paz
December December 2, 2008
Presentation of the work of Leonardo Murua Germination and Ariel MuruaSonidos, vermisage. , 19.30
Tuesday, October 28, 2008
Saturday, October 18, 2008
Florida Gators Bar Washington Dc
.
E xitVision 8 hrs. / EXTRA.
/ 4 Nov. 2008
/ 15 hs-23hs
/ San Jerónimo 66 Córdoba Argentina
On November 4 starting at 15:00. José María Miranda (24 years, Peru), Fred Weninger (30 years, Peru) and Andrew Torregiani (31 years, Córdoba) carry out their activity in the space degenerating Royal Theatre dedicated to the promotion of art. Intensive production and recognized artists, are students of 3rd and 4th year in the College of Fine Arts Dr. José Figueroa Alcorta . Immigrants, Romantic bourgeois citizens act as promoters of actions and reactions that express their own problems as artists in the area of \u200b\u200bcontact and non-public from "ExitVision 8 hrs. / EXTRA. "
"ExitVision 8 Hrs. / EXTRA " became operational from 14: OO pm. in the windows of the theater. In it, the three artists will display a range of household appliances, old and used to manipulate and a network of closed circuit. Along the way, will be transmitted live by television images placed in the same space. Artists, performers, etc., Interact with a number of teams bulky and high-tech peripherals in a network that will transmit medial self-shooting.
Exposed in an 8 Hrs. and overtime mode a "work in progress" or "art process" or "live electronic" or "free improvisation" or "sound sculpture " or "conceptual art" or "medial art" or "microtonal waves" or "video art" or "avant-garde" or "experimental electronica" o “contextual art” o “noise music” o “post-minimalism music” o “process generated” o “performance art” o “happening art” o “lower case improvisation” o “free music” o “ tape music ” o “ sound collage” o “ mixed media” o “ radio work”s o “ modern composition” o “improvised experimental music” or "live art " or action art " or" body art " or all of them in Castilian versions, depending on where you are quoted (rigorous linguistic context), will be used in the project. Project calls for two artists from outside the path is not attached to a prestigious national artist from Cordoba
wide recognition in the internal circuit, to expose as plaintiffs alleged their deserved visibility in our growing cultural and beloved Córdoba.
"It's about the discomfort, and the consumption of it by people uncomfortable with not aware of their discomfort, "said the artist Andres Torregiani. only interested in the quality of the work . Has enough expressive potential, a concept that meets the challenge, the thickness of narrative, and poetic. "It's about words, their meanings, in their ignorance, on the use of them for the specific space / legitimate (middle) to build your logic legitimizing; on the weight of it in complicity" says the artist Fred Weninger.
The interest is made to enjoy live work, doing and keep doing, the project works through the non-exchange instruction for non-works from artists living in different cities, "is about the recognition, recognition of the tools on the move and fight overwhelming repetition holding, induce, produce and play to herself "also adds the artist José María Miranda on the job.
Exit.it
n.
1.
The act of going away or out.
2. A passage or way out: an emergency exit in a theather; took the second exit on the throughway.
3. The departure of a performer from the stage.
4. Death.
v. ex.it.ed, ex.it.ing, ex.its
v. intr.
To make one´s exit; depart.
V. tr.
1. To go out; leave: exited the plane through a rear door.
2. Computer .science to terminate the execution of (an application) : exited the subrotine.
(From latin, thrird person sing. of a exire, to go out : ex, ex + ire, to go ; see ei- in Indo-European roots. N., sense 2, from Latin exitus from past participle of exire.)
vi.sion
1.
a. The faculty of sight; eyesight: poor vision .
b. Something that is or has been seen.
2. Inusual competente in discernment or perception; intelligent foresight: a leader
of vision.
3. The manner in which one sees or conceives of something.
4. A mental image produced bey the imagination.
5. The mystical experience of seeing as if with the eyes the supernatural or a
Supernatural being.
6. A person or thing of extraordinary beuty.
Tr.v vi.sioned, vi.sion.ing, vi.sions
To see in or as if in a vision; envision.
(Middle English,from Old French, from Latin visio, from visus, past participle of videre, to see; see wid- in Indo-European roots.)
Vi'sion. to adj., vi'sion. al.ly adv.
Try on this note and its construction, the intentions that connote the definitions adopted here from the time this note was read by you

Sunday, October 12, 2008
Sterio For Carolina Skiff Jv17

are five works made with mixed media on paper. The approximate measurements are 50 x 21 cm, 35 x 21 cm, 35 x 29 cm, 35 x 26 cm and 36 x 24 cm.
These works were worked from photographs to combine into a single figure parts mimetic and "ordered" (as the face) with other more "chaotic" (as hair or body) from suggesting just a few strokes of very various thicknesses, either with graphite or with a semi-fat bar. In turn, organized the compositions and introduced other graphic elements to interact with the figures. I used acrylic paint to create color areas, overlapping tones as a "peeling wall." On the other hand made use of calligraphy by the technique of transfer, often superimposed on the figure. The function of speech in these works is not at all communicate something, but is only an input graph, the composition merely visual. Such contributions, painting and calligraphy, serve to balance the great weight of the anecdotal own human figure. Thus, the eye no longer focuses only on what which has a reference to reality. Graphite and paint, words, faces and spots form a single unit.
Sunday, October 5, 2008
Mobile Home Ceiling Sheets
Tuesday 7/10/2008 --- 19hs with Juan der Hairabedián
We provide a space for reflection on visual arts and also a place where we can meet happily, seeing and talking nonsense, see a show, drink, have a good time. We now present
space bar and start with afternoon tea, a meeting place, why not? because.
Juan der Hairabedián
talk

This site will work on Tuesdays from 19 to 20.30 am to wait year to
Monday, September 29, 2008
How Long To Cook Boston Butts At 250
Generate spaces discussion and dialogue is one of the objectives of Real Visually.
We provide a space for reflection on visual arts and also a place where we can meet happily, seeing and talking nonsense, see a show, drink, have a good time. We now present
space bar and start with afternoon tea, a meeting place, why not? because.
This space will run on Tuesdays from 19 to 20.30 am to wait year to
Tuesday 30/9/2008 --- 19hs Mariko Cayinoto
Throat Feels Like It Is Burning

Saturday, September 20, 2008
Brits With Red Flozer Pins
create opportunities for discussion and dialogue is one of the objectives of Real Visually.
We provide a space for reflection on the arts visualesy also a place where we can meet happily, seeing and talking nonsense, get a sample, drink, have a good time. We now present
space bar and start with afternoon tea, a meeting place, why not? because.
Art history is full of success stories, like the mythical Café Voltaire of the Surrealists, to the - close-Barbarian Felipe Noe at Retiro, in Buenos Aires. Although we are more modest in our claims, we agree in the spirit of gathering to share a relaxed moment and hope that other things might happen.
To drink, in this first instance, we chose the tea, infusion and full of ancient legends that can be sampled in different varieties as oolong tea, green tea, black tea, etc..
This space will run them on Tuesday from 19 to 20.30 pm
Within this framework afternoon tea, Carmen Cachin submit
Mujer Painted / Mujer Real
* Exhibition Fotoacción, co-authored with Paul Jurgelenas and collaboration Mariana Montalvo with quotes from the Leonardo Da Vinci, Archimboldi, Duchamp, Man Ray and Frida Kahlo
* Live performance: Carmen Cachin, elegantly dressed, but discreet, with delantal kitchen, he will serve tea to the public.

to read and think, until we meet Carmen cut these texts of context:
"A beautiful woman of flesh and blood no doubt we would like even more than other equally beautiful, only in painting, but liked the first more than the last, we do not like for its quality of apparently independently, and not pleased to pure aesthetic feeling, because it can live only to please him in appearance, and the real only as idea, but without doubt, to appreciate just the mere appearance even in living things, is needed a much higher degree of aesthetic culture, which to kick miss in the appearance of life. "
Schiller, Letters on the Aesthetic Education of Man.
"With the complete art brows that are not well defined and cosmetics may ensure that prints signs of age. Fear not brighten eyes with a fine ash or saffron that grows along its banks, Cydnus oH! I've written a book on how to repair the ravages of beauty, a few pages, but very useful to be applied as appropriate to the care of the body. The ugly, in my art, learn a thousand useful advice. "
Ovid, The Art of Loving.
are waiting.
On September 20, 2008 20:30 real.visuales
- Show quoted text -
will be also on the board of DT6
http://dto6arteautonomo.blogspot.com/ Discount
6 was created to create, disseminate, discuss and exhibit art that does not participate Cordoba residual spaces of traditional art movement, while promoting free collective and individual artistic experimentation, in dialogue with the context and reality is always a contemporary. DTO
6 AUTONOMOUS ART SPACE, CURRENTLY WORKING IN THE FLOOR OF AN OLD HOUSE IN THE AREA OF SUPPLY of Cordoba.
Nestled in the red zone, in an inhabited dwelling and resignify ART IN SPACE, THE GROUP PROMOTES TRANSDISCIPLINARY LOOKS AND OTHER FORMS OF MOVEMENT OF AN ART was little complacent hegemonic discourses FASHION. ARTISTIC PRACTICES
INVITE TO BE AN AESTHETIC EXPERIENCE HAS SURROUNDED THE HALO OF SUBLIMATION OF ARTISTS WILLING TO BE SHARED.

+ Ariel Leonardo Murua and germination Work With
Friday, August 1, 2008
Friday, July 25, 2008
Uninstall Acer Arcade

Start
Real Visual a space dedicated to visual arts in theater
Real Córdoba city situated at Calle San Jerónimo 66
Where a natural biology will be doing various projects
intervention in the waiting room theater and facade with
intent to remove visual theater and its makers
general public, opening the possibility for an experimental space
proposals seeking to expand from simply making up the theoretical
that's the idea we hope to achieve. Intervention
facade of the theater building
privileged location in the city itself, for which we propose to convene artists involved the front of the building, continue the project of generating a multi-cultural
, allowing the construction works of a larger scale
. Give a living and changing space.
Curutchet Paul will be responsible for coordinating these projects, including their background is joint leader WOLF / productions that participated in the latest edition of arteBA, Alan Faena to win the award in visual arts and project intervention in the box canyon among others.