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E xitVision 8 hrs. / EXTRA.
/ 4 Nov. 2008
/ 15 hs-23hs
/ San Jerónimo 66 Córdoba Argentina
On November 4 starting at 15:00. José María Miranda (24 years, Peru), Fred Weninger (30 years, Peru) and Andrew Torregiani (31 years, Córdoba) carry out their activity in the space degenerating Royal Theatre dedicated to the promotion of art. Intensive production and recognized artists, are students of 3rd and 4th year in the College of Fine Arts Dr. José Figueroa Alcorta . Immigrants, Romantic bourgeois citizens act as promoters of actions and reactions that express their own problems as artists in the area of \u200b\u200bcontact and non-public from "ExitVision 8 hrs. / EXTRA. "
"ExitVision 8 Hrs. / EXTRA " became operational from 14: OO pm. in the windows of the theater. In it, the three artists will display a range of household appliances, old and used to manipulate and a network of closed circuit. Along the way, will be transmitted live by television images placed in the same space. Artists, performers, etc., Interact with a number of teams bulky and high-tech peripherals in a network that will transmit medial self-shooting.
Exposed in an 8 Hrs. and overtime mode a "work in progress" or "art process" or "live electronic" or "free improvisation" or "sound sculpture " or "conceptual art" or "medial art" or "microtonal waves" or "video art" or "avant-garde" or "experimental electronica" o “contextual art” o “noise music” o “post-minimalism music” o “process generated” o “performance art” o “happening art” o “lower case improvisation” o “free music” o “ tape music ” o “ sound collage” o “ mixed media” o “ radio work”s o “ modern composition” o “improvised experimental music” or "live art " or action art " or" body art " or all of them in Castilian versions, depending on where you are quoted (rigorous linguistic context), will be used in the project. Project calls for two artists from outside the path is not attached to a prestigious national artist from Cordoba
wide recognition in the internal circuit, to expose as plaintiffs alleged their deserved visibility in our growing cultural and beloved Córdoba.
"It's about the discomfort, and the consumption of it by people uncomfortable with not aware of their discomfort, "said the artist Andres Torregiani. only interested in the quality of the work . Has enough expressive potential, a concept that meets the challenge, the thickness of narrative, and poetic. "It's about words, their meanings, in their ignorance, on the use of them for the specific space / legitimate (middle) to build your logic legitimizing; on the weight of it in complicity" says the artist Fred Weninger.
The interest is made to enjoy live work, doing and keep doing, the project works through the non-exchange instruction for non-works from artists living in different cities, "is about the recognition, recognition of the tools on the move and fight overwhelming repetition holding, induce, produce and play to herself "also adds the artist José María Miranda on the job.
Exit.it
n.
1.
The act of going away or out.
2. A passage or way out: an emergency exit in a theather; took the second exit on the throughway.
3. The departure of a performer from the stage.
4. Death.
v. ex.it.ed, ex.it.ing, ex.its
v. intr.
To make one´s exit; depart.
V. tr.
1. To go out; leave: exited the plane through a rear door.
2. Computer .science to terminate the execution of (an application) : exited the subrotine.
(From latin, thrird person sing. of a exire, to go out : ex, ex + ire, to go ; see ei- in Indo-European roots. N., sense 2, from Latin exitus from past participle of exire.)
vi.sion
1.
a. The faculty of sight; eyesight: poor vision .
b. Something that is or has been seen.
2. Inusual competente in discernment or perception; intelligent foresight: a leader
of vision.
3. The manner in which one sees or conceives of something.
4. A mental image produced bey the imagination.
5. The mystical experience of seeing as if with the eyes the supernatural or a
Supernatural being.
6. A person or thing of extraordinary beuty.
Tr.v vi.sioned, vi.sion.ing, vi.sions
To see in or as if in a vision; envision.
(Middle English,from Old French, from Latin visio, from visus, past participle of videre, to see; see wid- in Indo-European roots.)
Vi'sion. to adj., vi'sion. al.ly adv.
Try on this note and its construction, the intentions that connote the definitions adopted here from the time this note was read by you
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