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ExitVision 8 hrs. / EXTRA.

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E xitVision 8 hrs. / EXTRA.

/ 4 Nov. 2008

/ 15 hs-23hs

/ San Jerónimo 66 Córdoba Argentina

On November 4 starting at 15:00. José María Miranda (24 years, Peru), Fred Weninger (30 years, Peru) and Andrew Torregiani (31 years, Córdoba) carry out their activity in the space degenerating Royal Theatre dedicated to the promotion of art. Intensive production and recognized artists, are students of 3rd and 4th year in the College of Fine Arts Dr. José Figueroa Alcorta . Immigrants, Romantic bourgeois citizens act as promoters of actions and reactions that express their own problems as artists in the area of \u200b\u200bcontact and non-public from "ExitVision 8 hrs. / EXTRA. "

"ExitVision 8 Hrs. / EXTRA " became operational from 14: OO pm. in the windows of the theater. In it, the three artists will display a range of household appliances, old and used to manipulate and a network of closed circuit. Along the way, will be transmitted live by television images placed in the same space. Artists, performers, etc., Interact with a number of teams bulky and high-tech peripherals in a network that will transmit medial self-shooting.

Exposed in an 8 Hrs. and overtime mode a "work in progress" or "art process" or "live electronic" or "free improvisation" or "sound sculpture " or "conceptual art" or "medial art" or "microtonal waves" or "video art" or "avant-garde" or "experimental electronica" o “contextual art” o “noise music” o “post-minimalism music” o “process generated” o “performance art” o “happening art” o “lower case improvisation” o “free music” o “ tape music ” o “ sound collage” o “ mixed media” o “ radio work”s o “ modern composition” o “improvised experimental music” or "live art " or action art " or" body art " or all of them in Castilian versions, depending on where you are quoted (rigorous linguistic context), will be used in the project. Project calls for two artists from outside the path is not attached to a prestigious national artist from Cordoba

wide recognition in the internal circuit, to expose as plaintiffs alleged their deserved visibility in our growing cultural and beloved Córdoba.

"It's about the discomfort, and the consumption of it by people uncomfortable with not aware of their discomfort, "said the artist Andres Torregiani. only interested in the quality of the work . Has enough expressive potential, a concept that meets the challenge, the thickness of narrative, and poetic. "It's about words, their meanings, in their ignorance, on the use of them for the specific space / legitimate (middle) to build your logic legitimizing; on the weight of it in complicity" says the artist Fred Weninger.

The interest is made to enjoy live work, doing and keep doing, the project works through the non-exchange instruction for non-works from artists living in different cities, "is about the recognition, recognition of the tools on the move and fight overwhelming repetition holding, induce, produce and play to herself "also adds the artist José María Miranda on the job.

Exit.it

n.

1.

The act of going away or out.

2. A passage or way out: an emergency exit in a theather; took the second exit on the throughway.

3. The departure of a performer from the stage.

4. Death.

v. ex.it.ed, ex.it.ing, ex.its

v. intr.

To make one´s exit; depart.

V. tr.

1. To go out; leave: exited the plane through a rear door.

2. Computer .science to terminate the execution of (an application) : exited the subrotine.

(From latin, thrird person sing. of a exire, to go out : ex, ex + ire, to go ; see ei- in Indo-European roots. N., sense 2, from Latin exitus from past participle of exire.)

vi.sion

1.

a. The faculty of sight; eyesight: poor vision .

b. Something that is or has been seen.

2. Inusual competente in discernment or perception; intelligent foresight: a leader

of vision.

3. The manner in which one sees or conceives of something.

4. A mental image produced bey the imagination.

5. The mystical experience of seeing as if with the eyes the supernatural or a

Supernatural being.

6. A person or thing of extraordinary beuty.

Tr.v vi.sioned, vi.sion.ing, vi.sions

To see in or as if in a vision; envision.

(Middle English,from Old French, from Latin visio, from visus, past participle of videre, to see; see wid- in Indo-European roots.)

Vi'sion. to adj., vi'sion. al.ly adv.

Try on this note and its construction, the intentions that connote the definitions adopted here from the time this note was read by you

Sterio For Carolina Skiff Jv17

About the submitted works:

are five works made with mixed media on paper. The approximate measurements are 50 x 21 cm, 35 x 21 cm, 35 x 29 cm, 35 x 26 cm and 36 x 24 cm.
These works were worked from photographs to combine into a single figure parts mimetic and "ordered" (as the face) with other more "chaotic" (as hair or body) from suggesting just a few strokes of very various thicknesses, either with graphite or with a semi-fat bar. In turn, organized the compositions and introduced other graphic elements to interact with the figures. I used acrylic paint to create color areas, overlapping tones as a "peeling wall." On the other hand made use of calligraphy by the technique of transfer, often superimposed on the figure. The function of speech in these works is not at all communicate something, but is only an input graph, the composition merely visual. Such contributions, painting and calligraphy, serve to balance the great weight of the anecdotal own human figure. Thus, the eye no longer focuses only on what which has a reference to reality. Graphite and paint, words, faces and spots form a single unit.

Mobile Home Ceiling Sheets

Juan María Silvia Chianalino der Hairabedián

Tuesday 7/10/2008 --- 19hs with Juan der Hairabedián

We provide a space for reflection on visual arts and also a place where we can meet happily, seeing and talking nonsense, see a show, drink, have a good time. We now present
space bar and start with afternoon tea, a meeting place, why not? because.

Juan der Hairabedián
talk

1) Big Masbah / Collective Action and Property building made of stones hollowed by the wind and plastic rope / Ø 90cm. / Jordan, 2008.

The Masbah , rosary is a kind of typical of Arab cultures and has 33 for counting the 99 names of Allah Masbah However is also used by Jews, Turks (tespeh) , Greek (Komboloi) and Armenians among others, not as religious object but as a form of entertainment by the hand and comes from the mind. In this case the Big Masbah (Grand Masbah) was a work I did at the residence Shatana International Artists Workshop 2008 in Jordan, inviting people to choose from a collection of stones hollowed by the wind near the town of Shatana and with it build this or URPOSE large, rustic and heavy that its scale has now lost function.

Juan Der Hairabedian

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